I’ve worked throughout the audio industry, mostly at the intersection of community, culture, and content — my happy place. I thrive on hard work, creative ambition, and thinking big about audio’s potential, as both an informative and impactful medium, and a vibrant art form.

Currently: I’m working on a few projects, open to new opportunities, and very, very excited about Audio Flux, a new platform for innovative, short-from audio work, which I co-founded in 2023.

To date, Audio Flux has inspired 227 original fluxworks from around the world, and has been presented live at the IMI Fest, On Air Festival, Tribeca Audio, and the Resonate Podcast Festival. This summer we’ll take the stage at the Sound Scene Festival (June 1, at the Smithsonian’s Hirshhorn Muesum in Washington, D.C.)

Previously: I’ve worked with audio organizations, companies, institutions, shows and podcast networks around the world:

Accolades: I’ve had the honor and pleasure of working with amazing teams on projects that have received widespread recogntion.

  • Official Selection, Tribeca Audio Storytelling
    2024 (The Audio Flux Podcast, A Field Guide to Gay Animals)
    2022 (My Mother Made Me)
    2021 (Blind Guy Travels)

  • Gold: Best Doc / Silver: Best Co-Hosts, Signal Awards, 2024 (A Field Guide to Gay Animals)

  • Finalist for the first ever Pulitzer Prize in Audio Reporting, 2020 (Ear Hustle)

  • Alfred I. Du-Pont Columbia Award, 2021 (Ear Hustle, season 4)

  • Best Mini Series, The Webby Awards, 2019 (The Great God of Depression)

  • Best Documentary: Hon. Mention, Third Coast International Audio Festival, 2018 (Ear Hustle)

  • Best Documentary, Podcasts and Digital Audio, Webby Awards, 2018 and 2019 (Ear Hustle)