I’ve worked throughout the audio industry, mostly at the intersection of community, culture, and content — my happy place. I thrive on hard work, creative ambition, and thinking big about audio’s potential, as both an informative and impactful medium, and a vibrant art form.

Currently: In 2023 I co-founded Audio Flux, a platform for innovative, short-form audio work, which to date has inspired more than 400 short audio gems from around the world. I’m deep in the production trenches for My Brother David — a narrative podcast about pancreatic cancer, and am also working on an audio documentary about musician David Berman. I was recently elected to the AIR (Association of Independents in Radio) Board of Directors.

Throughout the 2026-27 academic year I’ll be exploring the possibilities of short-form audio storytelling through the lens and creative philosophies of Audio Flux, as a Visiting Artist at Harvard’s ArtLab.

Previously: I’ve worked with audio organizations, companies, institutions, shows and podcast networks around the world:

Accolades: I’ve had the honor and pleasure of working with amazing teams on projects that have received widespread recognition:

  • One of the top ten podcasts of 2025, The New Yorker (The Audio Flux Podcast)

  • Official Selection, Tribeca Audio
    2026 (My Brother David, Audio Flux)
    2024 (The Audio Flux Podcast, A Field Guide to Gay Animals)
    2022 (My Mother Made Me)
    2021 (Blind Guy Travels)

  • Gold: Best Doc / Silver: Best Co-Hosts, Signal Awards, 2024 (A Field Guide to Gay Animals)

  • Finalist for the first ever Pulitzer Prize in AudioReporting, 2020 (Ear Hustle)

  • Alfred I. Du-Pont Columbia Award, 2021 (Ear Hustle, season 4)

  • Best Mini Series, The Webby Awards, 2019 (The Great God of Depression)

  • Best Documentary: Hon. Mention, Third Coast International Audio Festival, 2018 (Ear Hustle)

  • Best Documentary, Podcasts and Digital Audio, Webby Awards, 2018 and 2019 (Ear Hustle)